Wednesday, November 16, 2011
Final Exam Display
I noticed my pieces being further distorted when I held the camera at a low angle. This angle showed the piece reflected in the surface of the water.
To create this deep sea feeling, and further enhance the distortion and context of my pieces, I should in the future display my jewellery illuminated in the dark.
Warwick Freeman
Freeman uses materials such as Paua shell, Mother of Pearl, Baler shell and Scallop shells. His pieces don’t necessarily relate to the ocean in their concept, even though they are made up of oceanic materials. He uses the connotations that the materials have to aid his narrative jewellery. Each of his pieces tells a different story. The connotations of selected materials relate to the story behind the piece, such as his choice of shiny pearl shell for the shape of the star, this way his piece actually shines.
Cheryl Eve Acosta
When looking at Acosta’s work, I find it so obvious that her inspiration and references come from the ocean. Acosta grew up along the coast of Puerto Rico. In her book, ‘Hidden in Nature’ (2009), she discusses how growing up by the sea has influenced her design direction from an early age. She looks at sea life from a scientific point of view, using aquatic processes to fuel her work. She feels that this gives her work the appearance of being from the ocean, without being directly from it. She uses a variety of materials for her jewellery, some of these being: silver, copper, gold, enamels and fabric.