Thursday, October 28, 2010
Patina & Silver Necklace...
Playing with watercolours
We were taught about colours and using their complimentaries to create shadows. I painted some little shells, sweet man.
The above watercolour painting was painted by my great gran. Her watercolour skills were amazing :)
Wednesday, October 27, 2010
KZNSA jewellery
Friday, October 22, 2010
Thursday, October 21, 2010
Thinking...mmm.
These are some interesting facts/statements that I found in the foreword of ‘Into The Deep’, written by Don Walsh.
“It is difficult to comprehend the ocean’s breadths and depths, let alone the splendid diversity of its life.”
I agree with Don Walsh’s statement, beneath the oceans surface is an incredibly vast variety of creatures and corals, most of which only a select few have seen first hand.
“Earth – it really is the wrong name.”
According to Walsh, the oceans cover more than 70% of the earth’s surface area, and living space hidden beneath its surface is 543 million cubic kilometres. Looking at these statistics it is understandable how one could feel so removed and out of touch with this huge expanse of water.
“More humans have visited the moon than have been to the deepest part of the ocean.”
I love this statement. Mans fascination with the depths of the ocean is very similar to mans fascination with space; both of these places are not immediately accessible or tangible.
It's so blue and stuff...
The pictures above are close ups of the patinated copper elements. I sealed the patination with a matte waterbased glaze.
The above picture is from my photography book, 'Into The Deep'. It was this picture that i used as a reference and inspiration for this piece.
I am really pleased with how my necklae turned out. I learned alot about patination, a process i have never used before. If i ever make this necklace again, one thing i would change however, is the lenth of the chain. Personally i love longer chains, but if this chain was shorter the patinated elements would be spread out and ultimately better displayed.
Wednesday, October 20, 2010
applying patina solution
I then tried painting the solution on the pieces which seems to work better. The solution still pools in the grooves of the metal so it gives it a natural 'unpainted' look.
patina earrings...?
above are some scribbles from my design book while I was thinking about how to attach the shepards hook/wire to the earrings.
Sunday, October 17, 2010
test pieces continued...
Friday, October 15, 2010
Thursday, October 14, 2010
Wednesday, October 13, 2010
little copper clammies, sweet...
Tuesday, October 12, 2010
copper/patina necklace?
I would like to patinate these elements and work them into a messy/busy chain with irregular links. Depending on what the patinated pieces look like, they could have the appearance of something rusted or crusty that could be found under the sea?
Paua Shell Necklace
The most beautiful thing about the ocean, to me, is that everything is hidden. The detail, the beautiful corals and creatures are all hidden beneath a somewhat boring surface.
For my next pieces i want to focus on how the surface can be plain and the underneath detailed and more interesting. I think this piece managed to express that thought a little... I find the back of the setting more beautiful than the front of the shell... I'm hoping to further this idea with my future pieces.
Paua Shell setting
For this piece i kept the setting very simple so that it didnt take any focus away from the shell itself. I originally wanted to frame set the back of the shell and set a piece of enamel to make it more interesting, but after playing with forged elements i decided a simple setting could be just as interesting as an elaborate one. This was the back of the shell can also be seen.
Monday, October 11, 2010
Paua shell pendant
With this project I wanted to play with different materials. in a previous meeting with my lecturer we discussed possibly using actual artifacts from the sea (shells, glass, coral) instead of just using them as reference material. For this piece i kept the setting very simple so that it didnt take any focus away from the shell itself. The most beautiful thing about the ocean, to me, is that everything is hidden. The detail, the beautiful corals and creatures are all hidden beneath a somewhat boring surface. For my next pieces i want to focus on how the surface can be plain and the underneath detailed and more interesting. I think this piece managed to express that thought a little... I find the back of the setting more beautiful than the front of the shell... I'm hoping to further this idea with my future pieces.